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Hardaway Jr. swaps sides in Knicks rivalry


Tim Hardaway Jr. grew up in Miami, rooting hard for your Heat.

Now, he's on the other hand of the storied Knicks-Heat rivalry. And he's just fine with that.

"It's ironic," he was quoted saying, "but it isn't really awkward whatsoever."

Hardaway Jr., selected 24th overall by the Knicks in Thursday's NBA draft, was introduced in a press conference with the team's facility on Friday. The shooting guard from Michigan, and son of former Knicks nemesis and Heat point guard Tim Hardaway Sr., said he hopes to contribute to the Knicks right away.

"I would like to get better as a ball player throughout this complete summer, summer league and just see where that can me," Hardaway Jr. said. "Obviously, the aim is to start but regardless of the team needs me to accomplish, I'll do it. Whether it's coming from the bench, a job player, regardless of the case could possibly be. I want to just try to be a contributor on the market."

The Knicks entered the draft with holes to fill about the front line possibly at point guard, nonetheless they decided to go with Hardaway Jr. because, as general manager Glen Grunwald said, he was the very best player available.

Hardaway Sr. joined his son in Greenburgh on Friday and said hello was "ironic" the Knicks selected his namesake. The Knicks, all things considered, is the same team he along with the Heat locked horns with in several famous playoff battles inside late 1990s.

Hardaway Sr. currently serves as being a scout and community liaison for your Heat. But he insists that he'll be rooting for Hardaway Jr. and also the Knicks in the future.

"Even though I work for the Miami Heat, I can root for the Knicks," Hardaway Sr. said Friday. "[But] whenever they play against us I don’t know."

The younger Hardaway has a solid jumper with good range which enable it to convert off of the dribble. But he doesn't have his father's power to break opponents down from the dribble and will be inconsistent on offense.

"I attempted to teach him that," Hardaway Sr. said. "But you realize I'm just Dad now, I'm just Dad."

The Hardaway Jr. pick can be a sign that this Knicks want to keep Carmelo Anthony at power forward next season (Anthony won a scoring title with the 4 last year, which means this makes sense). Hardaway Jr. also increases the Knicks insurance if J.R. Smith decides to consider his talents elsewhere in free agency.

But the 6-foot-6 shooting guard wasn't considering any of that on Friday.

Instead, he was centered on what he can bring to the bottom.

"I desire to be an energy giver not an electricity drainer -- a man that can knock down open shots, push around the break, find guys," Hardaway Jr. said.

Both Hardaway Sr. and Hardaway Jr. would like fans and media in order to avoid comparisons between the two.

"I spent my youth differently, I played differently," Hardaway Sr. said. "I'm 6 feet, I'm a natural point guard; he's a two guard, it isn't similar, it's totally different."

"I’m not the same as my father," Hardaway Jr. said, adding that his dad is "short and stubby." "... One [of us] shoots a lot better than the other, another handles the ball better than the other. He can let you know right now there’s no comparison whatsoever."

The two haven't played one-on-one for "three or four years" when junior beat senior.

Hardaway Jr. took to star at Michigan and helped the Wolverines advance for the national championship game earlier this spring, where they lost to Louisville.

Now, Hardaway Jr. will take his game to New York and continue to make a term for himself while using Knicks.

"[I'll do] whatever the teams needs me to do," Hardaway Jr. said. "... I’m going to adopt advantage from the opportunity."

'Anna Nicole' Reviews: How Was Lifetime's Anna Nicole Smith Movie?

Anna Nicole Movie Reviews

Courtesy of Lifetime

Lifetime was advertising online again on June 29, premiering their latest based-on-real-life movie using the tragic story from the troubled star, Anna Nicole Smith. The source material was high drama to start with - so did the TV flick surpass the real story?

Say what you would like about Lifetime, nonetheless they found their groove and they’re sticking with it. Anna Nicole, which premiered on June 29, is just the most recent installment in the camp-y, overly dramatic made-for-TV movies that Lifetime does so well. We at called Lifetime’s story of Anna Nicole Smith “crazy, wild fun” and a “roller coaster ride of medication, alcohol, and tragedy,” but did the rest with the critics want it as much as we did?

‘Anna Nicole’ Reviews


Anna Nicole isn’t really about anything inside conventional sense, however manages to be as challenging to turn away from and vaguely sleazy since it's namesake, that ought to suit Lifetime’s purposes perfectly. If nothing else, the movie appears going to win some form of award for most convincing prosthetic cleavage, allowing Agnes Bruckner to try out the Playboy and Guess jeans model in her pre- and “build-on” breast stages, flanked by the perfectly cast Martin Landau and Adam Goldberg because unlikely men in her life. As guilty pleasures go, this one certainly doesn’t lack for moments at which to hoot.

New York Post

On Saturday night, Lifetime blows the doors with Anna Nicole, a true-life movie so great, so well-written nevertheless sleazy enough in order to meet even the cheesiest viewers among us.

The Hollywood Reporter

It is at 2007 that Anna Nicole Smith, aka Vickie Lynn Hogan, the small-town Texas girl who spent my youth to embody one of the most spectacularly unfortunate public meltdowns of contemporary Hollywood, died coming from a cocktail of prescribed drugs at the chronilogical age of 39. That rags-to-riches story is definitely an old Hollywood fable continuously reflected in a constant rotation of bright young things. But Anna Nicole seems to breathe new life in to the tale of another young woman with a misplaced Marilyn Monroe obsession that becomes a curse.

Boston Globe

The movie, which premieres on Saturday at 8, has nothing to supply. It’s storytelling at its most shallow and unsatisfying. Written by John Rice and Joe Batteer and directed by Mary Harron, Anna Nicole barely conveys the basic facts of Smith’s life, let alone any bigger ideas about her private terrors and our cultural demons. Bruckner is okay as Smith, and her prosthetic breastplate is fairly impressive; though the script gives her nothing of substance or with resonance.

So besides one scathing review, everyone looks like it's on board around! We hope you set your DVRs to record Anna Nicole or that one could catch a rerun, because it’s definitely worth a viewing.

HollywoodLifers, do you see Anna Nicole? What have you think? Let us know!

WATCH: ‘Anna Nicole’ Movie Trailer

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- Andrew Gruttadaro

More Movie Reviews:

  1. ‘Monsters University’ Reviews: Does The Prequel Live Up To The Original?

  2. ‘The Purge’ Movie Reviews: More Than A Home-Invasion Film?

  3. ‘Man Of Steel’ Reviews: Critics Call Latest Superman Movie ‘Spectacular’

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NASCAR race at Kentucky starts on time, but rain in area


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Rain falls within the garage area before Saturday night's Quaker State 400 at Kentucky Speedway. (Photo: Randy Sartin, USA TODAY Sports)

Story Highlights

  • Rains swept through the Sparta area all afternoon and evening Saturday

  • Green flag is scheduled for noon Sunday on TNT

  • NASCAR does not have the Air Titan in the 1.5-mile speedway

SPARTA, Ky. - A series of heavy rain showers forced NASCAR to postpone the Quaker State 400 Sprint Cup Series race at Kentucky Speedway on Saturday night.

The race was rescheduled for Sunday at noon and is on TNT.

The race started on time, with Dale Earnhardt Jr. leading the field to the green flag.

Forecasters called for scattered thunderstorms throughout the afternoon and evening Saturday, plus they were correct. The first big rain-maker swept through at 3 p.m. and another hit the track shortly after 5, leaving the track surface completely soaked.

DALE JR.: Wins pole for Quaker State 400

Jet dryers were out and making progress before another cell hit around 7:15. NASCAR ordered the dryers deterred. This continued a couple of times until NASCAR made the phone call just after 9.

It takes about couple of hours to dry the 1.5-mile layout.

Sunday's forecast is predicted to bear much resemblance to the one that caused problems Friday and Saturday at Kentucky. NASCAR would have to dodge storms all afternoon.

Friday night's Nationwide Series race at Kentucky have also been affected by weather; Brad Keselowski was declared the winner after rain hit 30 laps from your finish and shortened the big event.

NASCAR can have an additional challenge: Weepers, that are cracks inside track where water bubbles up and streams on the surface. Kentucky's asphalt is exhausted and has more weepers than other tracks.

Also, NASCAR didn't bring its new Air Titan track drying system to Kentucky. It is requiring tracks to cover use of the Air Titan, and Speedway Motorsports Inc. - which owns Kentucky Speedway - balked in the high price.

The Air Titan helped shorten a delay at Talladega Superspeedway by about 45 minutes on May 5.

The last time NASCAR were required to postpone a Cup race was the 2012 season-opening Daytona 500. That event was run the subsequent Monday night.

Here's the starting lineup for that Quaker State 400:

  1. Dale Earnhardt Jr.

  2. Carl Edwards

  3. Jimmie Johnson

  4. Kyle Busch

  5. Marcos Ambrose

  6. Denny Hamlin

  7. Ryan Newman

  8. Brad Keselowski

  9. Brian Vickers

  10. Juan Pablo Montoya

  11. Joey Logano

  12. Jeff Gordon

  13. Ricky Stenhouse Jr.

  14. Jeff Burton

  15. Clint Bowyer

  16. Matt Kenseth

  17. AJ Allmendinger

  18. Aric Almirola

  19. Martin Truex Jr.

  20. Greg Biffle

  21. Kasey Kahne

  22. Kevin Harvick

  23. Jamie McMurray

  24. Paul Menard

  25. Tony Stewart

  26. Austin Dillon

  27. Kurt Busch

  28. David Stremme

  29. Danica Patrick

  30. Landon Cassill

  31. Casey Mears

  32. Dave Blaney

  33. Michael McDowell

  34. David Gilliland

  35. JJ Yeley

  36. David Reutimann

  37. Josh Wise

  38. David Ragan

  39. Mike Bliss

  40. Travis Kvapil

  41. Joe Nemechek

  42. Scott Riggs

  43. Ken Schrader

Contributing: Associated Press

Follow Gluck on Twitter @jeff_gluck


Tour de France: Who's left to root for? | USA NOW video

Jun 28, 2013

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Small Change: Why Business Won't Save the World

14 era of free usage of 300GB free Download14 era of free usage of 300GB free Download

 Small Change: Why Business Won't Save the World

Michael Edwards, "Small Change: Why Business Won't Save the World"

English | ISBN: 1605093777 | edition 2010 | PDF | 145 pages | 1,2 mb
A new movement is afoot that promises to save the entire world by applying the special moment of the target the challenges of social change. Its supporters argue that using business principles to solve global problems is way more effective than some approaches. What could be wrong with that?

Almost everything, argues former Ford Foundation director Michael Edwards. In this hard-hitting, controversial exposé, he marshals loads of evidence to reveal that actually, market approach hurts a lot more than it helps. Real change can come when business acts more like civil society, not vice versa.

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Interesting Photo of the Day: Lightning Strikes the New World Trade Center

It’s been higher than a decade, but a brand new World Trade Center has risen through the ashes at Ground Zero in New York. A recent spring storm christened the newest tower using a blindingly bright flash of lightning. Thankfully, the spire towards the top of the 104-story building did its job:

One World Trade Center struck by lightning

Lighting striking the One World Trade Center (via imgur; click for larger size)

Reportedly captured by a tourist from Alaska, the shot depicts the One World Trade Center (left of center inside the picture) being struck by way of a jagged bolt of lightning. Following can be a brief news clip giving a bit more background about the photo:

The spire on top of the tower had just been recently completed, a final piece being added to May 10. Appropriately, the structure reaches a height of 1,776 feet, commemorating the season of American independence.

Photography Success: What Does it Take to Make it as a Photographer?

The Internet is saturated with how-to photography tutorials. So often, emphasis is put on technical details. Rarely will we hear more in regards to the abstract, philosophical concepts which are the motivator behind probably the most successful photographers.

Lee Morris & Patrick Hall had time to go behind the scenes at Gulf Photo Plus 2013 in Dubai to film interviews with many of the instructors. The pair asked each photographer what must be done to make it in photography. Hear the powerful answers they received in this inspirational video featuring esteemed photographers Zack Arias, John Keatley, Joe McNally, Peter Hurley, Scott Hargis, David Burnett, Greg Heisler, and David Hobby:

Though all from the photographers interviewed are specialists in different areas and took many different paths to arrive at their degrees of success, commonalities abound through the interviews. Main themes that all of the instructors discussed include drive, risk-taking, networking, and, most importantly, hard work (Via Fstoppers).

Success in photography, as well as in most any field, is dependent upon the photographer’s willingness to get out there and learn, practice, and experiment even when things get rough.


“It’s being a storm. You just have to keep weathering it, and finally you’ll get yourself a break in the clouds.” - Joe McNally

Composing the Photo: Creating Order from Chaos at 25% Off

A well-composed photo includes a poetic balance. It lets the viewer feel naturally confident with the photo. The feeling is just one of perfection, like that one moment on Earth was special, also it was captured inside absolute perfect manner. Composition is tough to study as it has to do with our perception and care about detail, nevertheless it can be improved through knowledge and exercise. Top travel photographer Trey Ratcliff agreed to give our readers 25% off until friday on his popular in-depth composition guide (discount code picturecompose at checkout). Found here: Creating Order from Chaos

composing the photo

Trey Ratcliff’s Composition Guide (Click to Learn More)

In this book, Trey teaches you his way for setting up your shot for excellent composition and also using the crop tool in post processing to create your current and future images a lot more interesting and beautiful on the viewer.

Just Some of the Many Topics Covered (54 Pages):

  • A detailed how-to about composing photos

  • Countless types of the how/when/why of setting up a shot in this area

  • Postprocessing: the how/when/why to crop your image for additional meaning and power

  • Deep discussions how viewers answer different compositions

  • There can be an equal focus on composing landscapes and composing people

  • Bonus Edition: Many instances of people/object photography, how to choose the best photo from your “Spray and Pray”, and more sample Golden Ratio crops

‘I sometimes equate learning composition to learning a golf swing. I observe that people that have a good swing movement (not me) whisper little reminders to themselves from time to time. They practice here and there, even when they are not holding a golf club iron! Like Buddhists, they chant mantras like, “Cock your wrist here,” and, “Shift weight to left leg,” etc. We should try to achieve the same goal with composition. I want you thinking about it all the time, even if you are not holding a camera.

pages from composing the photo

Pages from ‘Composing the Photo’ (Click to See More)

It is transpire that you come away out of this eBook with a lot of new viewpoints and opinions on how to better compose a photo.’ -Trey Ratcliff

How to Get a Discounted Copy This Week:

We were able to negotiate a 25% discount for the readers which ends Friday, June 14. It also includes a guarantee, if you are not satisfied with any part of the book just inform them and they will provide you with a full refund so there is absolutely no risk in trying it.

It could be found here: Composing the Photo - Creating Order from Chaos

Chimpanzee’s Photographs Sell For Big Bucks at Auction, Why?

Does a photograph become more valuable according to who is behind the viewfinder? In London immediately, a Russian art collector thought so, and was ready to put down $76,000 to prove it.

That price was for the collection of 18 photographs taken by Mikki - no, not the main one writing this article (sadly). Mikki would be a Russian circus performer, who had the excellent fortune to be a charming three foot tall chimpanzee. The “artwork” - the 4th from a 10-print run - sold at Sotheby’s Auction House for 50,000 GBP; what is the news clip from CBS This Morning provides the full story:

Mikki was taught his basic photographic skills inside the 1990s by fellow performers and conceptual artists Alexander Melamid and Vitaly Komar, who've a long good creating art with animals. Some people understand the images as having important cultural significance, for being an abstract expression from a living creature you never know no speech. Others think it’s just silly.

The chimp-artist seems to have learned merely to point your camera and click the shutter, without mastering the finer information on focusing or setting manipulation. So the question that comes to mind is, would these images be nearly as valuable if I, or anyone else has taken them? Does a piece’s value correlate directly to its creator?

Obviously it will, to some degree. If Richard Avedon took the photo, it might probably be worth even more. If I did, it would barely be worth a couple of bucks for the frame. That applies to anything, regardless of what the photo even appears like. So is it art? And, just as importantly, is it valuable?

chimp photography

Nobody has have you ever been able to aptly describe what “art” is, so I don’t figure we now have any business defining simply what does and does not get to be called such; art are some things which, because of its demands, eludes explanation. The images are, however, a bit of art history, which enable it to be appreciated on that basis alone.

We can probably all agree, though, that art doesn’t just boil as a result of what’s on the canvas. Any visual creation is inevitably and intensely coloured by our personal experiences, histories, and emotions, our values and beliefs, which creates context and connections that the artist could do not have dreamed of. If knowing something about a photograph, just like the fact that it absolutely was taken by a monkey, enhances your experience of the piece, why shouldn’t it add value? After all, all art is worth exactly what someone is ready to pay for it - you can forget, no less.

What to you personally think? Did this monkey create great art, or perhaps a funny story? Tell us what you think within the comments below.

Interesting Photo of the Day: Reflections for Days on the Uyuni Salt Flats

At first glance, it may seem this photo was a product of your skilled Photoshopper. However, choosing wrong. This place, referred to as the Uyuni Salt Flats, actually covers a 4,000+ square mile space in southwest Bolivia. It is essentially a giant bed of salt. When covered in water, it appears to be a huge flat lake, however, the lake typically only reaches a number of inches deep making it possible to still walk across the entire bed:

uyuni salt flats reflection clouds

The vast Uyuni Salt Flats: a photographer’s treasure (Click to See Larger Size, Imgur)

This spot has been used by photographers for years for its unique look. Commercial, fashion, and model shoots alike have happened here, plus a quick Youtube look for the area would bring about many of these. This photo reminds us of how many unique treasure you can find in the world and the way many still remain unknown to us.

How to Create Refractograph Abstract Photography

Ever look over a kaleidoscope like a kid? You would contain the tube around your eye, twist the finish, to see an array of wild colors and patterns move. Well refractory photography works somewhat about the same concept. Using a refractory object such as glass or plastic, you could make your own abstract images. Rob Turney created this helpful tutorial for individuals to follow:

What you will need for refractory photography:

  • Fine Light Source - A small light is most beneficial, but anything can work so long as it’s bright and adjusted to your fine point of light. To do this you can simply place some cardboard and other opaque material throughout the light and poke a very small hole inside the center. A fine light equals a sharp image.

  • Camera sans Lens - Your refractory object will likely be acting as your lens in a sense, so a lens isn't needed.

  • Refractory Object - This can be anything made from glass, plastic, or other object that refracts light. The shape and position on this object will determine the pattern you capture.

  • Stands - You’ll have to have a stand to hold your light and your refractory object, as well being a tripod to hold you camera steady.

  • Colored Gels - These are handy for adding color for a abstract image. A refractory image without color could be rather dull, but with the addition of different gels you may create images just like the one below.

refractory photography abstract image

Refractory photography is fantastic for creating abstract photos

refractory photography diagram

Make sure there isn't any ambient light when shooting your refractory object

For Further Training on Non-Traditional Photo Effects:

Check out this very well liked eBook that explains how you can do amazing photography tricks and photoshop effects. It can be found here: Trick Photography and Special Effects

Engagement Photography Tips and Techniques

The precursor for the actual event, engagement photography is exactly what helps show the happy couple’s spark collectively and creates widespread awareness of their upcoming wedding. As the photographer, it is crucial for you to do pursuit so that the pair’s engagement pictures will probably be creative, interesting, entertaining, love-struck, and quite a few of all, satisfying to the couple themselves.

engagement photography tips

“Wedding” captured by b-bee (Click Image to See More From b-bee)

1) Preview the happy couple

No, I don’t mean to actually screen the couple before you decide to use them. (Although in some instances, this can actually be an intelligent idea.) Anyway, familiarize yourself with who these people ARE upfront. Meet with them over coffee, for lunch, or just chat quite some time on the phone. The best way for you to get the engagement photos this couple wants is always to figure out what it is that they actually want. Get a feel for his or her personality as well as their chemistry together.

2) Keep them connected

This engagement picture tip basically speaks for itself - keep the pair connected with one another. Sure, they're going to be somewhat nervous (particularly when they are not super confident with you just yet), but do your best to keep them into the other person. This leads me to my next pointer…

3) PDA is Okay (and necessary!)

Because an engagement photo session is totally different from a standard headshot, model, or family photo shoot, saved that the overall theme of those pictures will likely be love. Make the happy couple comfortable and aware they SHOULD kiss, hug, hold hands, be playful, be silly, and turn into touchy-feely mushy gushy all they desire! It makes the pictures more personal and personable!

techniques for engagement photography

Photo captured by Tatiana Garanina (Click Image to See More From Tatiana Garanina)

4) As always…”Burst mode!”

This is apparently recurring theme inside my articles…definitely make sure to use “burst” mode while doing engagement photography. The couple will likely be nervous, so once they do their initial and stiff pose for your camera (thinking they are natural!), they are going to loosen up, smile, laugh, look at each other…THOSE would be the moments you would like to catch above all else.

5) Location is lucrative

If you have been doing photography, especially engagement photography, for a while, you could possibly know of some good places around your town to consider engagement pictures. Prepare yourself having a list of locations and interesting places beforehand that you can suggest towards the couple. They most likely will be open and prepared to consider everything else you have to say! Also, couples frequently visit other towns for their engagement pictures, so ensure you have tracked down some hotspots that will probably be aesthetically pleasing.

6) Do your quest!

The only way for you to be as knowledgeable and prepared as you need to be (and want the pair to think you are) is to DO YOUR RESEARCH. As with the previous engagement photo tip, research locations for engagement pictures. Look up creative engagement picture poses that one could suggest on the couple in the shoot. Learn what clothing options will probably be wise to suggest for them to wear…

engagement photographer

“Engagement” captured by Samantha Foster (Click Image to See More From Samantha Foster)

7) Clothing optional (well, less than)

They could be committed to one person, but make sure this couple has options! Tell them to create a few changes of clothes so you could get some different engagement shots in several locations. You want to give them variety and creativity. Also, inform them what colors NOT to wear. Examples: white, khakis, light colors, etc. Depending on the background, certain colors and prints may not mesh.

8. Suggest a meeting shoot

Most couples won’t think of this amazing idea for engagement pictures, and that means you should suggest it to them! Offer the idea to go along and shoot a “date night” to the couple. Have them go on the place where they met, their most favorite restaurant, or out doing a common hobby. Another fabulous engagement photo shoot idea is taking pictures at their engagement party! We just did an engagement shoot such as this and the pictures are priceless. Friends, family, and a lot importantly, the pair, were ALL included!

9) Shoot in RAW (vs. JPEG)

This helpful hint is specially important when shooting indoors! Shooting in RAW will give you the liberty of having a wider variety of exposure adjustments throughout the editing process. Some may prefer one format over another, but on our engagement photo shoots, we want to be sure we have probably the most options possible therefore we can come out with the most effective engagement pictures possible.

10) Don’t focus on the face

This hint sounds ludicrous for engagement pictures, right?! Well, of course you should take pictures of the couple’s faces! But on the other hand, try focusing on things apart from just those. Have the bride-to-be lift her foot as though they were kissing, and snap images of their shoes from the knee down. Make absolute positive you obtain that gemstone in some pictures! Catch her whispering something as part of his ear. Shoot them in the neck down. All of this is intriguing and innovative to the eye.

how to take engagement photos

“Daria and Yury” captured by Tatiana Garanina (Click Image to See More From Tatiana Garanina)

11) Be vocal (they won’t!)

Finally, one of the most important engagement pictures tips I can give you is always to BE VOCAL. Have fun with the pair and suggest poses so they can try. Have general conversation to loosen them up. Tell several jokes (if you happen to get funny) and create a warm friendly atmosphere. Direct them and they're going to take direction. Many couples WANT you to carry their hand along the engagement picture path and lead just how. Take advantage of this power! You have the liberty to create something new, creative, and fantastic. They will appreciate this when the editing process is finished!

About the Author
Callie Colleen Smith provides more information about wedding photography, family pictures, engagement, or modeling headshots. Smith can be an assistant photographer that works with Shane Messer and Raychle Searfoss at Shane and Raychle Photography in Nashville, TN and Louisville, KY.

For Further Training on Being a Wedding Photographer:

Check out Simple Wedding Photography, it covers everything you should know to photograph a wedding as well as the business behind it. From diagrams of where you must stand during the entire ceremony to information on all the final deliverables on the client. This 200 page ebook will be useful to wedding photographers of any experience level. It also has a 60 day guarantee, so there is no risk in giving it a go.

It can be found here: Simple Wedding Photography eBook

Real-Time Photoshop Prank in Stockholm

To contribute to one of Adobe’s “Creative Days” in Stockholm, Sweden, photographer and retouch artist Eric Johansson executed a more sophisticated Photoshop prank at a local bus stop. He and his awesome team installed a large advertisement case holding a show poster to show off real-time Photoshop work featuring stealthily-shot and creatively edited photos of men and women waiting for the bus to arrive. From a nearby van - which in fact had been create as a mobile creative lab, detailed with computers, video feed from hidden cameras, plus more - the pranksters watched as their “victims” noticed themselves taking starring roles within the roadside advertisements, with varying reactions. Hilarity ensued:

Interestingly, virtually all victims in the prank quickly got over their surprise or disbelief and immediately got out their smartphones to consider a picture of images of themselves. Though the following shots don’t even commence to capture the task (and humor) that you receive to see inside the video, they give an example in the quick-thinking work that Johansson did for this project.

Stockholm Photoshop prank

Adobe Photoshop prank

Adobe Creative Day prank

This as well as other contributions from a few of photography’s most creative innovators will be featured at Adobe’s Creative Day Nordics event on June 11, 2013 in Stockholm.

How to Capture the Perfect Photograph

As artists, we see the beauty in the everyday. It isn’t all to easy to portray that beauty in an image. Getting what we see in our mind’s eye to the final image seems extremely hard for most. Some in the most amazing photos attended from the most ordinary things, it is all about perspective. This rings true in photography as well. If you are having trouble creating that extraordinary photo, provided underneath are some tips that might help. With a little practice, your photos will require on that extraordinary appeal too.

Visualize First

This may well not seem like an exceptional idea, but it's often overlooked. Before you even point you guessed it-your camera at an object, visualize it first. Get a clear image within your mind’s eye of how you would like to see the final product appear. What are the assets with the object? What will be the highlight of the shot? What makes the picture stand out? How can you capture those assets with your photo shoot?

By visualizing the finished product before even utilizing the shot, it is going to enable the right tools being chosen. If the best image is taken, plenty of post editing work online could be reduced. Many photographers lean on online editing tools an excessive amount of, so they really don’t put much focus into capturing the proper image first.

Rule of Thirds

The rule of thirds applies to picture composition. This rule may be the one usually broken by beginners. Many photographers believe that you have to center the image inside viewfinder of the camera. But, that is one with the biggest misconceptions. By centering the image inside viewfinder, the result is usually mediocre at best.


The rule of thirds is a straightforward and useful compositional tool.

Imagine the viewfinder having the above grid-lines breaking the square into thirds. The points of intersection for your grid lines above would be the points to position the images of interest. For example, view the image below:


The bottom image adheres for the rule of thirds, whereas the most notable image will not.

Notice that the top image has got the surfers centered inside frame. Not a terrible photo, though the bottom photo has more depth. It draws attention on the horizon. If the grid pattern above were laid moreover image, it will be easier to see how the surfers are inside bottom 2/3 and left 1/3 position with the grid lines. By shifting the focal point to this position the picture became more interesting. This is just an elementary explanation there are lots of ways that this rule could be applied for stellar images.

Framing The Subject

Nature provides great opportunities for framing a shot. For example inside the below photo, notice the trees accustomed to frame the model. They provide texture, focus, and draw the attention for the model.
There a multitude of things you can use to frame a subject matter. Notice that the model’s face isn’t inside center in the photo, it is inside top 1/3 of the image. If we had centered this image it wouldn’t have had the same effect. See below:


Even when using the rule of thirds, make sure there are not distracting elements within your photograph.

Notice what sort of trees take away through the model, they overpower the shot. This is another good example of not centering the photo inside frame.

Have A Subject

Determining the topic of your shot may either make or break it. For example take the shot below:


The perspective of an photograph can increase the dramatic effect of the images subject.

The message in this image is apparent, there's a gun pointed at you. It is more alarming. If I had just used an image like this one:


A slight difference in angle can alter the overall impact of the image.

The subject may be the man’s face and takes some from the attention away through the gun in his hand. The first one produces a bigger impression on the viewer.

The subject is the man’s face and takes some in the attention away through the gun in his hand. The first one produces a bigger impression around the viewer.
These are only some fun suggestions to try when planning your following photo shoot. Play around using them and see what goes on. You may just find your ordinary shots become extraordinary.

About the Authors:
Tony Fiorda of di Sogno Photography, an Atlanta based professional photographer, has produced a career from making ordinary images appear extraordinary.

Shannon Henrici is a beginner photographer who loves learning new tricks. She has been learning increasingly more about how to enhance her skill with Tony Fiorda of di Sogno Photography.

Concert Photography: Maneuvering the Crowd and Getting the Shot

Band photography is usually an exciting and fun genre to get into, and it’s perfect for building your portfolio. Newspapers and magazines will likely be willing to purchase great images with the local music scene. Of course, as with any other type of photography, it's got its own tricks and obstacles to conquer. And many of the obstacles are physical, for example the crowd of men and women you have to wade right through to get the shots that you would like. This video covers an exceptional perspective of the photographer shooting a live concert. The little video cam coupled to the photographer’s DSLR shows you how he maneuvers the group, frames his subjects, and waits ideal moments:

Some tips for shooting live bands:

  • Learn the Venue - Figure out where the band will probably be playing, the place that the crowd will probably be, how close you can find, above all, in case you are allowed to shoot there. Most places will likely be very accommodating for photographers as it may give them possibility of publicity, but be sure to ask before you begin shooting away.

  • Use a Fast Lens - Most places will probably be very dim during a live show. Of course there will likely be stage lights, nevertheless the ambient lighting will be very low. To compensate because of this, you’ll require a fast lens. A prime is preferable, but a f/2.8 zoom perform as well.

  • Shoot at High ISO - Don’t forget to enhance your ISO. You’re want to it to capture sharp shots in that dim setting.

  • Don’t Use Flash - Flash is very distracting during a live show, particularly if it’s inside. Don’t function as guy that ruins the show for all. Be courteous to and conscious about the people surrounding you.

  • Be Prepared - A lot can occur on stage in a short time. The performers are jumping and running. Occasionally each goes up to the edge in the stage and wail on the solo. If you want to get these shots, you will need to be ready at all times. Some moments only keep going for a second before they’re gone forever.

live band photography concert shooting

Things happen quickly on stage. Be ready if you need to capture the best shots.

Applying the 3 Light Studio Setup to Outdoor Portraits

In today’s portrait photography photo tip we are going to wrap up our discussion in the three light set having a quick review and an example of how to construct a set-with no lights! Just when you don’t possess studio lights, doesn’t mean you can’t shoot quality images.

Here can be a quick review…

Most good portrait photography requires three light sources.

Light #1 - This could be the main (key) light and is also used to establish the pattern and overall exposure settings.

Light #2 - This one is the fill light which is used (or otherwise not used) to fill in the shadows created by the main. This one ought to be set with the same or less intensity because the key light then it doesn’t cast its own shadows.

Light #3 - This is the background (separation) light and is used to visually separate the topic from the backdrop. It is placed behind the topic and can be aimed either with the background or on the subject.

When aimed in the backdrop, the separation light creates a lighter area behind this issue to ensure he or she doesn’t blend in to the background. Adding colored gels may make the backdrop any color you want.

"Model Portfolio" captured by Shaunna Marie Brunk. (Click image to find out more from Shaunna Marie Brunk.)

“Model Portfolio” captured by Shaunna Marie Brunk. (Click image to determine more from Shaunna Marie Brunk.)

When aimed at the subject, the background light results in a “halo” or “rim” of light around the subject. It’s this rim of light that separates this issue from the background. This light generally is a bit brighter than the main light.

The the greater part of amateur photographers never attempt the 3 light setup, and their portraits suffer for doing this. Give it a shot! Once you are comfortable creating and shooting using a three light set, you will never go back.

By the way… if you have been avoiding the 3 light set because you don’t have three lights-that’s no excuse!

Here is an example of a three light set…

First we set our model so that the sun are at her back (beyond view in the camera). This will build a rim of light around her and visually separate her through the background. This is light #3.


“Amber and Amy” Captured by Glass potraits by elijah. (Click image to see more from Glass potraits by elijah.)

Then we use a reflector placed in front and to the side of her. This will reflect the light from your sun back into her face and-depending on where we put it-will create whatever light pattern we would like and establish the primary exposure settings. This is light #1.

We can move the reflector closer or further away from our model to get the exposure we want. Ideally, this can be an exposure of half a stop possibly even less than the separation light.

Another reflector set on the correct angle and distance from your model will fill out the shadows and grow our fill light-light #2.

The above three light set is easy to create, costs close to nothing, and provides you professional quality portraits. Add in the belief that commercially-made reflectors can fold up to a small size; you are able to toss a few in the trunk of one's car try to have them available!

"Model" captured by Trandinhkhiem. (Click image to see more from Trandinhkhiem.)

“Model” captured by Trandinhkhiem. (Click image to find out more from Trandinhkhiem.)

Your mission-should you choose to accept it -is take a try. Practice this before you are comfortable working having a three light set-then buy whatever lighting equipment you want. You’ll know very well what you need, also it won’t end up in the closet in which you store all of your unused photo gadgets!

Today’s portrait photography photo tip implies that you don’t need actual lights to create a three light portrait photography set! Reflectors and also the sun has a great balance very nicely!

About the Author:
Dan Eitreim writes for ontargetphototraining dot com. He has been an expert photographer in Southern California for over 20 years. His philosophy is the fact that learning photography is simple if you know a couple of tried and true strategies.

How to Create a Black Background Anywhere with this Photography Trick

Many portrait photographers desire owning a studio with all the bells and whistles. However, some photographers who work on-location in less-than-ideal surroundings can make their images look like they were consumed a studio. One of these resourceful photographers, Glyn Dewis, produces outdoor portraits that have a studio look without the need for a backdrop. He reveals his secret for creating an invisible black background with this short tutorial:

Dewis effectively produces a studio photography look while shooting outside in a parking lot with just an umbrella as well as a Canon Speedlite.


Follow these steps to produce the look of a black background without getting a backdrop or using post-production tricks:

  1. Turn off your flashes.

  2. Set the camera and strobes to manual mode.

  3. Choose a smaller aperture setting, a low ISO, as well as a shutter speed of 1/250 of an second (or sync speed for your camera and flash unit).

  4. Take an evaluation shot of your respective scene, and adjust your settings before test shot results in the completely black frame (Via Petapixel & ISO1200).

  5. Keep these camera settings and beginning starting your shot.

  6. Shoot an off-camera flash into an umbrella that’s been closed down to narrow and control the lighting hitting your subject.

  7. Set the strobe to full power and take an evaluation shot. Adjust the sunlight until you receive the desired results. On bright days, you may have to use a stronger flash or multiple strobes to use this technique.

This can be a handy trick you can use in almost any situation to generate your photos look as though they were used a studio.

Timelapse Photography Showing the Amazing Power of Hawaii’s Volcanoes

Having photographed all the United States’ 59 National Parks, professional landscape photographer QT Luong is no stranger to capturing the magnificent vistas of the natural world. An experienced outdoorsman, he cherishes the challenges that come with the shots he wants to take, whether it is scaling tall mountains, traversing lonely streams, or trekking scorching sand dunes. But when he came to Hawaii to capture the good thing about its many volcanoes, he faced an entirely different kind of challenge. How does one capture the dynamic nature from the ever-changing volcanic landscape in a still photo? You simply can’t. The answer lay in performing a timelapse:

For the project, QT set aside his old dependable large-format camera for something more modern. He used Canon 5D Mark II and 5D Mark III cameras by having an assortment of lenses. Post-production was over on Adobe’s workhorses - Lightroom, Photoshop, After Effects, and Premiere Pro, amongst others. It’s a labor of love which was two years and numerous man-hours inside the making. And the resulting video are few things short of breathtaking.

Hawaii Volcano Lava Timelapse

For Further Training on Time-lapse Photography:

There is surely an in-depth guide (146 pages) to shooting, processing and rendering time-lapses by using a dslr camera. It can be found here: Time-lapse Photography Guide

Released Today: Lightroom 5 and an Up to Speed Guide

Adobe has just released Lightroom 5 (Available at Amazon), and the changes are fantastic! With every version Lightroom gets better and, but if he or she change things up it implies time re-learning the program and adapting its additional features. Piet Van den Eynde, a notable Lightroom teacher prepared tips for the technology. Also today: Lightroom 5 Up to Speed

lightroom 5 guide

New: Lightroom 5 Up to Speed (Click to Learn More)

Lightroom 5 Up to Speed is written by an Adobe Certified Expert who shows you all the new features and how to begin using the modern tools. The 77-page eBook, and companion videos (50+ minutes), are built to help you get up to speed with what’s new with your favorite digital darkroom software.

The guide walks you through investing in Lightroom 5, the newest Advanced Healing Brush, Upright, Radial Filter, Smart Previews (offline editing), the improvements to Book and Slideshow modules, and almost 30 other changes, big and small. Gives you tons of suggestions concerning how to exploit the potential of these features; and also a bonus chapter about the brand new and improved Lightroom plug-ins.

“Lightroom was originally conceived over the requests of Adobe customers, and this feedback will continue to drive each new iteration,” said Winston Hendrickson, second in command of products, Creative Media Solutions, Adobe. “As the digital photography landscape advances and evolves, Lightroom is the foremost solution for photographers and passionate hobbyists who want to get the most out of their digital images.”

New Features in Lightroom 5

  • Lightroom 5 adds powerful new editing tools to assist photographers create better images faster. The Advanced Healing Brush enables customers to solve irregularly shaped imperfections like dust spots, splotches, along with other distractions using the precision and suppleness of a fine brush. The Upright tool analyzes each image to automatically straighten objects such as buildings and level horizons. Radial Gradients offer customers the control to make photo subjects be noticeable by applying off-center and multiple vignettes in a image.

  • Lightroom 5 also brings extended sharing and publishing capabilities. New video slideshows enable customers to combine still images, video clips and music inside an imaginative HD slideshow which can be viewed on virtually any device. Updates to the Book module bring to be able to create, personalize and print elegant photo books from a variety of tailored, easy-to-use templates, as well as create customer-specific templates.

  • Smart Previews, new in Lightroom 5, enable photographers to produce edits on their images offline, without bringing all of their library of original files with them. Edits and metadata changes to Smart Preview files are automatically applied on the original images if they are reconnected.

Feeling Way Behind on Lightroom?

Craft & Vision has bundled Piet’s popular BIG BOOK, Lightroom 4 UnMasked, that is a very in-depth 312-page handbook, regarding his brand new Lightroom 5 Up to Speed eBook to provide all the high-resolution screenshots, step-by-step instructions, tips, tricks and ideas to hide the full extent from the program. This bundle includes almost 400 pages of Lightroom content, 50+ practical cases plus an hour of video lessons.

It is available here: The Comprehensive Lightroom Training Bundle

Interesting Photo of the Day: Pair of Dogs Present Shared Treasure

When it comes to photographing pets, the sky is the limit. If they can sit still of sufficient length, it is possible to dress them up in bows, hats and tiny clothes, and organize a mini photoshoot, but there’s nothing like capturing our furry pals inside a more natural setting. Doing what you love and they are born to perform ensures wide toothy smiles just screaming for any photo just like it:

Pair of Pooches Present Stick to Owner (Provided via Imgur)

Entitled A Shared Treasure, the photo is a great reminder in the simple moments that people may sometimes overlook. For these two, finding a stick and presenting it on their owners hoping of a treat or even a pat about the head resulted in a priceless moment captured on film. I’m guessing it’s also the product or service of good timing because I can’t imagine them doing nothing too long before eventually wrestling for ownership of these prize!

Extreme Photography: Climbing the World’s Tallest Building

One early morning, one world landmark, the other brave photographer make for one epic photo shoot. Joe McNally recently climbed the world’s tallest building, the Burj Khalifa tower in Dubai, within an extreme pursuit of unusual and unique photographic perspectives:

After taking an elevator to “level 160,” the final concrete platform for the building, McNally tested his or her own endurance by tackling seemingly endless flights of steel stairs, then harnessing around climb the last couple hundred meters with the tower. At the top, he photographed two maintenance workers that do this kind of potentially dangerous work every single day, dangling greater than 2,700 feet over the desert metropolis below.

“You don’t need to go to the top of this tower and simply take a snap looking down; you will want person in that frame. You want a reference point - a sense humanity dealing with this giant structure. And you also desire to celebrate this very unique skill these guys have. I mean, this business are truly ‘high-wire’ guys, and I’ll be photographing them a nod towards the athleticism, the strength, and also the precision they bring to such climbs.”

burj khalifa
camera at the tallest building
portrait on tallest building

So why climb the tower? Why go over the physical and mental stress - because even someone with no fear of heights has got to get a little nervous being so high above the ground, right? Well, McNally seems to have the same answer because first man to scale Mount Everest when asked why he would want to climb the forbidding mountain: just “because it’s there.” (Via New York Times)

“I’ve for ages been a big fan of getting my camera in a different place looking to just seek the unusual vantage point. The tower is obviously a commanding presence; it kind of sprang out in the desert here. . . . It’s got a beauty plus an allure for it, and this is part with the reason that you just desire to go and climb this thing and obtain to the surface of it, see what the mystery is centered on and what that view could be like from the tallest manmade point on the planet.”

Why Do We Create Images?

“Nobody asks me, ‘Why do you do photography?’ Everybody asks how… But how about why? Why do issues that are difficult and dangerous? Why push so difficult to do stuff that are different? Why create images that aren’t even for sale?”

This could be the central thought behind Von Wong‘s latest production. He challenges visitors to ask themselves why they are doing something and to not be frightened of an answer that others aren’t expecting:

Just because someone else doesn’t realise why you do something doesn’t mean that you shouldn’t undertake it. Sure it can be tough becoming an artist as soon as your friends and family are constantly asking about what you’re doing of course, if you’re creating any money at it. But don’t give up simply because someone questions you. If you want to know what you’re doing is right, you have to ask yourself. If you’re still looking for an answer, contemplate these questions:

  • Are You Looking to Make Money? - Who says you can’t learn an art to make some funds? Others may think that this is soulless or greedy, but what’s greedy about wanting to create a living doing whatever you like to complete? We all have to make money somehow. And if you’re good at what you do, you need to be earning something correctly.

  • Are You Trying to Inspire? - Some people just want to inspire others with their work and the passion they put with it. Wanting to place the drive into another individual to fuel their desires is an excellent reason for doing anything.

  • Are You Helping Others? - Maybe you’re not trying to inspire others, but maybe make them learn something or get them to feel some way using your images. Maybe you’re a photojournalist who just wants others to understand what’s on the market. Giving others the power of knowledge, whether it’s about the world or about themselves, is an excellent cause.

  • Are You Adding Something to the World? - Perhaps you’re not trying to inspire or inform, but to simply create. To add something to the world. To leave a mark on this earth within your existence.

girl fire flames flaming photography shoot

One of Von Wong’s trademark pyro images

There are numerous more explanations why you could want to create. What are your reasons?

Living the Life of a Snowboard Photographer

When you may well ask someone where did they got the position that you’ve always wanted, you’re often disappointed by having an answer like, “I just kind of fell in it.” But I don’t believe this is actually the case for most of us. I believe it’s more they jumped into the field in lieu of fell involved with it. Because people that have the kind of positions that individuals consider dream jobs don’t often go searching for that very specific job, but alternatively they create it for their own reasons by doing the things they love to do. This is the case with f-stop photographer Scott Serfas. Scott says he accustomed to use an old Minolta camera, buy film in the drugstore, and have it developed at 7/11. Now he’s about the f-stop pro photographer team:

“I get e-mails constantly, ‘How do I get your job?’ You need to finish off your stuff, proceed to the mountains, and live it. You have to live it.”

Do you have what it takes to land your ideal photography job? If you’re unsure, contemplate these questions:

  • Do You Make up Excuses to Not Shoot? - Do you ever look outside and say, it’s too sunny today or too rainy or there’s nothing much to shoot around? If so, perhaps you’re much less passionate about photography because you think.

  • Do You Make Time To Shoot? - Between work, family, friends, and fun, it can be hard to get time to shoot. But if it’s something you really love, you’ll want to make time correctly.

  • Do You Like to Show Your Work to Others? - If you can’t show your hard work to your family or friends, how will you expect to show it to your publisher or client?

  • Do You Crave Learning More About Photography? - Those who really care about their work would want to learn about new gear and new techniques and they are willing to experiment with both to create something unique.

  • Do You Only Care About the Money? - There’s no shame in planning to make a living doing one thing you love, nevertheless it can’t be information on money. You’ll find that those who have amazing jobs don’t care all the about the money while they do relating to work.

snowboarding mountains trick jump air photography stunt

Scott Serfas’ photos have been around the covers of Transworld over twenty times

“If someone ended up being to open a novel or see this photo and be like, ‘I wanna go there and I wanna do this’, I’ve done my job.”

Interesting Photo of the Day: Otherworldly Dubai Skyline Shrouded in Fog

Fog is able to create a mysterious, otherworldly effect in photography when captured at merely the right moment. In this remarkable photo captured by Sebastian Opitz of Dubai in the evening, the city’s skyline-looking as it might have come out of Star Wars because of its futuristic architecture-has an extra element of drama which has a thick blanket of fog suspended high among the skyscrapers, which cast a glow of red and blue reflected lights:

Dubai skyline in the evening in fog

Dubai in the evening, covered in fog (click for full resolution photo via imgur).

Near the midst of the photo, the Burj Khalifa skyscraper (the tallest building on the planet at 829.8 meters or 2,722 feet), towers within the other buildings and and appears to transmit a beam of light shooting into the night sky.

Obviously taken from a high vintage point, the photo depicts a sort of atmospheric landscape,using the fog forming a nearly snow-like ground and extending as much as the eye is able to see to delineate a soft horizon line inside distance.

How to Create a Composite Image: Photographing & Editing

There are some tutorials that show you how to generate a composite image using several photos, but rarely would you see a video that shows you ways to shoot for a composite image. Putting two photos together isn’t too difficult whether they have matching lighting conditions. But creating those identical lighting conditions could be the tricky part. In the first video, Mark Wallace shows you the way to shoot some images in preparation for a separate and unidentified background while Gavin Hoey takes the wheel within the second video and shows you how to create a matching background photo and composite the two to make them look like one organic image:

And here is part 2:

Some tips for creating composite images:

  • Shoot Against a Solid Colored Background - This makes it better to separate your subject from your background and paste them in a new background. White typically works the top, but any flat, solid background is likely to make cropping easier.

  • Be Aware of Hair - Hair, fur, and some kinds of clothing can make fine detail that’s challenging to crop around. This isn’t to say that it can’t be done, but it certainly adds more hours and effort to accomplish. Hard edges are easiest to crop out.

  • Change the Lighting Conditions - If you have the second image for your composite, you can try objects inside scene and continue to match those conditions. Look at the direction and hardness in the light. If you don’t have not your your first image, you’ll desire to shoot in numerous different lighting conditions as you can in planning. Direction is probably the most important factor because you can easily change brightness and contrast in post-processing, but direction, less.

  • Take More Photos - Some images just won’t complement together it doesn't matter how much Photoshop you put into it. More photos equals more chances that two will continue to work together.

composite images photos photoshop shooting

Changing the direction, hardness, and fill of the light will provide you with a wider number of images to choose from when compositing

composite image photos shooting editing photoshop

Most photos won’t fit perfectly together, but that’s where light editing tools can really be handy

Jewelry Brand Photography Tips

Doing commercial photography benefit a jewelry line sounds simple, but shooting the shiny ornaments presents certain challenges. For one, a photographer must be adept in closeup photography and portrait photography to present a complete picture of the product and the lifestyle related to it. In the video below, photographer Nick Fancher takes us on the behind-the-scenes take a look at how he went about shooting pieces from Leo’s Wisdom, a type of handmade jewelry:

Nick uses a pair of Canon L lenses, the 35mm f/1.4 wide-angle as well as the 70-200mm f/4 telephoto, to show his ideas into images. He employs both ambient light and triggered strobes to correctly expose his subjects, and the man puts props - whether it be an antique bottle to hang a necklace on or the interior of a sprawling mansion for everyone as portrait environment - to get affordable use.

jewelry product photography

The the very next time you see dazzling images of jewelry in your favorite glossy magazine, what happens it latched onto make them.

The Future of Space Imagery

You’ve got word of the Hubble Telescope, the famous piece of space engineering launched in 1990 to capture more detailed images in the stars and galaxies. What you may not know is the fact that engineers operate to create a new telescope to help their knowledge with the final frontier. This new telescope, referred to as James Webb Space Telescope, can capture infrared images and is scheduled to produce in 2018. This video explains more of what the Webb should be able to accomplish:

The Advantages in the Webb Space Telescope:

  • Infrared Imaging - Rather than capturing the visible light that’s made by stars and planets, Webb will capture the infrared light that these bodies produce. The further a star or planet is away, the greater the visible light it produces is stretched. This visible light becomes infrared light meaning we need an infrared image to see the plants and stars which can be really, really distant.

  • Larger Mirror - Just like a larger sensor in a camera, the greater surface area of the mirrors in the Webb increase its resolution, providing scientists with more descriptive images (Via Petapixel).

  • Launched Into Space - Just like the Hubble Telescope, the James Webb is going to be launched into space to conquer the atmospheric distortion that plagues regular land-based telescopes.

space webb telescope mirror size

Size comparison of Hubble vs. Webb mirror

eagle nebula infrared image planets stars

Infrared image showing planets and stars visible over the Eagle Nebula

How to Create a Blizzard in a Photography Studio

On location shooting can be hard. The weather might be harsh and unpredictable, the lighting changes, you'll find environmental dangers, plus you've got to lug your entire equipment from the studio for a location and returning. So why not skip the area trip that will create your own environment in a very studio? That’s what commercial photographer Joey L. made a decision to do when he had to photograph his subjects in a blizzard:

You wouldn’t think that a blizzard would be very easy to recreate, but Joey L. makes it look fairly simple. With a fake snow maker plus an assistant waving a major piece of cardboard, he seems to produce a decently realistic snow storm. If you’re trying to create your own personal indoor environment, keep these things in mind:

  • Background - Of course the right background is going to be required to convince your audience that you’re somewhere other than in a very studio. This may involve something as simple as a blurry grey background as with Joey’s blizzard scene, or perhaps a detailed scene from the beach with sand and waves.

  • Clothing - The proper clothing can convey a great deal. For fashion shoots, you might want to shoot a certain piece, then you would want to adjust your scene to suit the clothing. But if you’re not, be sure your clothing matches the scene you’re shooting.

  • Minor Details - It’s the little things that often create a scene convincing. For instance, in Joey’s blizzard scene, you will see little items of “snow” in the subjects hair, clothes, eyebrows, and in many cases eyelashes. This helps it be look as if the subjects are actually in a real blizzard.

  • Lighting - This can be heavily manipulated inside a studio giving you plenty of possibilities. You may want to develop a surreal lighting or possibly a one that better highlights your subject or their clothing rather than imitating real world conditions. But if you are looking to mimic natural lighting, make sure you look at the angle and color temperature of the setup.

  • An Assistant - You can never underestimate the helpfulness of a few extra hands. Whether it’s running the fan or simply just holding a strobe, another person will help you focus on one further image and make what you really would like.

in studio blizzard fake created

Would you might have guessed it was taken in a studio?

Photography on Mars: The Cameras Aboard The Curiosity Rover

Less compared to a year ago, a scientific milestone had us glued to the computer screens and TV sets as it was unfolding. It was the landing in the Curiosity Rover on Mars and, thanks to modern technological advancements, there was the privilege to find out it in real-time. The rover’s goals will analyze the Martian climate and geology and its onboard instrumentation includes an array of cameras capable of taking both stills and video. Justin Maki, the project’s Engineering Camera Team Lead, provides us an overview in the Curiosity’s cameras below:

The Curiosity Rover has 17 cameras, essentially the most of any Mars rover. The cameras hold the following designations:

  • MARDI - Mars Descent Imager, as the name implies, took photos during the landing on Mars.

  • MAHLI - Mars Hand Lens Imager located at the end from the arm. Takes hi-res color closeups.

  • HazCams - 8 hazard avoidance cameras take photos of the terrain at the wheels.

  • NavCams - 4 navigation cameras take photos accustomed to drive the rover.

  • MastCams - 2 mast cameras take color images for geology investigation.

  • ChemCam - Chemisty and Camera complex, a laser instrument to research rock and soil.

Justin goes on to discuss that this engineering cameras (HazCams, NavCams) have 1 megapixel black-and-white sensors while the science cameras (MAHLI, MastCams) have 2 megapixel color sensors. He also explains how the limited downlink means how the team would rather have the rover shooting many still photos rather than the usual few videos daily. The clip saves its great for last as it shows the way the rover is able to get a self-portrait without getting its robotic arm inside frame through clever camera positioning and multiple image-stitching.

Curiosity Rovers Mars photography

Extraterrestrial selfie? Just another day within the office for that world’s most remote shutterbug.